Cowgirls Compete With Men

A petite young woman mounts a 750 to 900-pound steer, and hangs on to nothing but a rope tight-wrapped around one hand. That she stays on this bucking, twisting, snorting beast for ten seconds, eight seconds or even two seconds, seems a miracle.

This is the intriguing picture of my grandmother I have carried in the back of my mind since I was a little girl.

My grandmother, Olive May “Tootsie” Bailey, grew up the daughter of homesteaders during the early 1900s in the Sunburst-Cut Bank area of Montana, near the Canadian border and east of the Rocky Mountains.

Although she no longer rode in rodeos when I came along, “Gramma” was an avid horsewoman and ranch wife, equally at-home on the back of a horse as she was in a dress and heels. She and my grandfather, Otto Gasser, were partners in rural Montana ranching as well as an urban family of friends.

The 1920s were the heyday of rodeo, where the cowgirl was as much a part of the festivities as the cowboy. The first cowgirls learned to ride out of necessity to help on their family ranches. At an early age they learned to ride horses, rope cattle, and stay in the saddle atop an untamed bucking bronco.

In 1885, Annie Oakley, a diminutive sharpshooter in Buffalo Bill Cody’s Wild West Show, paved the way for other women to be recognized in the rodeo arena.

Two years later, Bertha Kaelpernick was allowed to enter a horse race in Cheyenne’s Frontier Days only because the arena was so muddy the cowboys refused to participate. To entertain the crowd, she was coerced into riding a bucking horse.

Despite the terrible conditions, she managed to stay in the saddle, and put the men to shame. She continued to compete and often beat such legendary cowboys as Ben Corbett and Hoot Gibson.

Following in Bertha’s footsteps years later, Prairie Rose Henderson of Wyoming forced the Cheyenne organizers to allow her to ride. She went on to become one of the most flamboyant cowgirls of the era, dressing in bright colors, sequins and ostrich plumes over bloomers.

Lucille Mulhall, whose father, Colonel Zack Mulhall, ran a Wild West Show, was described in a 1900 New York World article as “only ninety pounds, can break a bronc, lasso and brand a steer, and shoot a coyote at 500 yards. She can also play Chopin, quote Browning, and make mayonnaise.” Both Teddy Roosevelt and Will Rogers have been credited with giving Lucille the title “cowgirl.”

Between 1885 and 1935, many women proudly wore that title and competed with men, riding broncs, steers and bulls. They also roped and tied steers (usually wearing long divided skirts) alongside their male counterparts.

In early rodeos, women and men competed in the same arena, drawing from the same stock. Women rode broncs, steers, bulls, and did steer roping as well as trick riding, Roman races and relay races.

I know that my grandmother, Toots Bailey Gasser, rode steers in small Montana rodeos. Other cowgirls, such as Marie Gibson, also from Montana, rode steers, bulls and broncs throughout the US, Canada and even London. While each cowgirl had her specialty, most participated in multiple events.

Vera McGinnis, Tad Lucas and Fox Hastings were probably best known for trick riding. This demonstrated numerous types of stands and vaults, performed while the horse was galloping at top speed. Other maneuvers included crawling under the horse’s belly, hanging just inches from the mount’s pounding hooves.

In the Roman race, the cowgirl would stand with her right foot on one galloping horse and her left foot on the other. (The horses would have had to be very well trained to stay together, and the rider obviously had great balance and strength.)

The relay race required three laps around a track, and the rider had to change horses, and sometimes saddles, after each round. If they weren’t required to change saddles, many cowgirls perfected the “flying” change, leaping from the back of one horse to the other without touching the ground. Vera McGinnis is credited with inventing this move.

After Bonnie McCarrol and Marie Gibson were killed and several other women badly injured in rodeo accidents, cowgirl bronc riding became increasingly rare in the West, leaving only relay racing open to women competitors. But women’s rodeo gradually eroded nationwide for several reasons:

• Small, local rodeos were no longer financially lucrative and livestock was in short supply in the 1930s, leading to the demise of the Wild West shows.

• Men held the central control of the sport.

• Many well-known women rodeo stars retired.

• World War II, with tire and gas rationing, did not allow travel as in the past.

From the mid-1930s until the late 1940s, cowgirls became mere props in rodeo, “glamour girls” whose beauty and attire were emphasized instead of athletic skill. In 1948, 38 women formed the Girls Rodeo Association (GRA) to give women an opportunity to compete in calf roping, barrel racing, and trick riding. In 1968, barrel racing finals were finally included in the men’s Professional Rodeo Cowboys Association (PRCA) National Finals.

In 1981 GRA changed its name to Women’s Professional Rodeo Association (WPRA) and today has more than 2,000 members. It sanctions 800 barrel races a year in conjunction with men’s PRCA rodeos. But women still do not compete with men.

As an entity of its own, Professional Women’s Rodeo Association (PWRA) puts on events in women-only rodeos that include bareback riding, breakaway and tie-down calf roping, bull riding, and team roping.

It’s been a long time coming, but as Rene Mikes, a corporate accountant from Denver and a bull rider, says, “It’s not a guy sport anymore.” But despite the heroic efforts of many women, including Cowgirl Hall of Fame and world champion bull rider Joni Jonkowski of Montana, women for the most part still do not compete with men.

Cowgirl Dreams is available at http://www.heidimthomas.com (for autographed copies) or from http://www.trebleheartboks.com/SDHeidiThomas.html