Nancy Famolari's Place features articles on writing. The articles are designed to help new writers by providing tips from published authors. The blog is available on rss feed from Kindle Direct Publishing: http://nancygfamolari.blogspot.com/feeds/posts/default?alt=rss
Sunday, February 21, 2010
Oky, here's the truth!
Saturday, February 20, 2010
I received a Creative Writer Blogger Award
Such fun!! Kathy Stempke honored me with a Creative Writer Blogger Award. Kathy, thank you, way cool!!1: Thank the person who gave you the award and link to them.
2: Add the award to your blog
3: Tell six outrageous lies about yourself and One Truth.
4: Nominate six creative liars... I mean writers and post links to them.
5: Let your nominees know that they have been nominated.
Tuesday, February 16, 2010
Write with Your Senses Wide Open
I don't have trouble putting down a book. I can do it for an hour, a day, a month, a year, or never pick it up again. Eternal on the Water by Joseph Monninger (available from Simon and Schuster in February) is different. I couldn't put down, not because of the tragic love story, the spunky heroine, or the honorable hero. Monniger's strong sensory images drew me into that world. I felt the fine spray of paddles dipping in the racing river, tasted the first bittersweet sip of hot coffee on a brisk morning, saw sunlight filter though the pines to awaken iridescent colors from a black bird wing.
To show rather than tell, we must use all five senses to draw the reader into the story. I love camping, so the images in Eternal on the Water, appealed to my senses stimulating emotion. Emotion drives the story. The more our senses are awakened to the emotions we once experienced, the more we feel a part of the story. Senses not only connect us to the story, they announce the emotion. Slimy things crawling on the floor hint at something unsavory afoot. Champagne bubbling on the tongue telegraphs happiness and celebration.
Fit the images into the story. Long paragraphs of description are unnecessary. The trick is to pick the exact image to bring the story to life. A shower of sparks erupting from the campfire when a pocket of sap in a pine log bursts, the murmur of the river drifting through the pines, the smell of bacon frying over a campfire on a windy morning, streams of water twisting like dark rope in the current: these images tucked into the movement of the story bring us into the world and make it ours.
Saturday, February 6, 2010
Shelter from the Storm by Dianne G. Sagan
New Release
Dianne G. Sagan’s second release of 2009
Shelter from the Storm
ISBN# 978-1-934335-35-2
Price: $14.95
Brittany Camp flees to a short-term shelter for battered women when the worst snow storm in 50 years hits Seattle. She must draw hidden courage from within and fight for her family's safety but finds herself only one step ahead of her volatile husband who’s bent on killing her.
What makes this work of fiction different than most about domestic violence? Shelter from the Storm has very little actual violence and has an underlying theme of hope for a woman who is running for her life. Brittany Camp is not a woman of revenge, she is a woman who hopes to find inner strength for the toughest thing she’s ever done.
"Poignant and positively captivating, Sagan's latest, Shelter From the Storm, will have you reading far into the night. A must read!"
----Deborah LeBlanc, Best-Selling Author of Water Witch
Available at http://www.amazon.com
Synopsis
Brittany Camp flees to a short-term shelter for battered women as the worst snow storm in 50 years hits Seattle. She uses the judicial system to fight for her family’s safety but finds herself only one step ahead of her volatile husband who is bent on killing her. This story focuses on courage and hope for a better life rather than the actual violence. Brittany’s journey shows the development of her emotions and personality as she learns how to face the fear and navigate the courts. Can she survive and save her children? Will the authorities believe her? How can she win when her husband, Abel Camp, is so charismatic? What if she loses her children?
A work of fiction, it is based on several women’s experiences. Its purpose is not only to entertain the reader but to help raise awareness about the plight of the thousands of women who are abused every day. It helps those who never experience the terror to understand the victims, and shows victims that there is a way out that does not include taking personal revenge on their abusers.
Foreword written by well-known author Deborah LeBlanc.
For those readers who enjoyed her book released earlier in 2009, Rebekah Redeemed, a historical/Christian fiction novella, this is a contemporary story. It is mainstream/suspense with an underlying theme of overcoming difficulties and life struggles.
An Interview with Dianne Sagan on Shelter from the Storm
Your new book, Shelter from the Storm, is different from your novella, Rebekah Redeemed. What made you write such a different book?
I think that both these books are parts of who I am and what is important to me. I realize that “we’re here to make a difference” has become a rather trite thing to say, but I believe that what we learn through life experiences should be used to help others. We can help others get through challenges. I use my writing as an outlet as well as speaking with groups or organizations.
Tell us a little about what it was like to write this type of book.
Parts of it were hard to write and emotional, but because it is fictionalized I could remove myself somewhat from the plot. I kept thinking that if I could make it a page turner and focus on Brittany Camp, the protagonist that people could empathize with her.
This is your second book to be published. Is it as exciting this time as it was with your first book release?
It is just as exciting but it is tempered with what I’ve learned about what it takes to launch a book. It is a lot of work. However, I’m sure I’ll be just as excited when the first box of books arrives and when I look on amazon.com and see it there. I wanted to take a picture of myself by the book shelves at the book store the first time I saw my book on the shelf. I do admit that when I got the ISBN number, I felt like dancing just like with the first book.
Who is your favorite character in Shelter from the Storm?
Of course I feel an attachment to Brittany Camp, but I like her attorney. He is a compassionate and understanding person, but he is also focused and wants to help his clients believe in themselves again.
Do you have any other works in progress?
Yes, I’m working on The Fisherman’s Wife. It is the second book in the Christian fiction novella series. I also have a few other books that are still in what I call the incubation stage. I work in my head a lot on story lines and ideas before I start actually writing.
Who are your favorite authors?
I read a lot of different books, both fiction and nonfiction. Some of my favorite authors are Francine Rivers, Terri Blackstock, Jerry Jenkins, James Patterson, David Baldacci, Carol Higgins Clark, Janet Evanovich, Lillian Braun, and Deborah LeBlanc. Some of my favorite nonfiction authors are Beth Moore, Max Lucado, and Jennifer Rothschild.
You are also a ghostwriter. What is it like to write as a ghostwriter compared to writing your own books?
The books I’ve ghosted were nonfiction and included subjects like leadership, overcoming fears, becoming a better person, becoming successful and teaching children about handling their finances. The biggest challenge is to write in someone else’s voice. You are writing someone else’s message and you need to be sure you are saying what they want to say.
Writing my own books and stories is easier because it just flows out and I don’t have to be sure I stay in the correct voice. I can just let the story or content develop from my own imagination or research. However, I enjoy doing both kinds of writing. They both have their own challenges and feeling of satisfaction when you complete a project and it is ready to go to layout for printing and release.
It is pretty cool to see your name on a book that you’ve written and exciting when you have a book signing and people actually want to buy your books and enjoy reading them.
Saturday, January 30, 2010
Resolve to be an Empowered Writer
Why do we writers leave the responsibility for deciding the worth of our work in the hands of others and then feel completely devastated by rejection? The cure is to become and empowered writer.
The first step is learn your craft. In “No More Rejections,” Alice Orr describes her younger self in the woman's room of a sushi restaurant resting her head against the tiles feeling completely clueless about why her latest manuscript had been canceled after. The solution, according to Orr, is to learn your craft. None of us would trust our bodies to a doctor who said, “Hey, I want to be a surgeon. I think I'll try this operation on you. When I'm finished, I'll ask a senior surgeon whether I did it right.” That may sound facetious, but it's exactly what many aspiring writers do. They labor for months, or years, over their novel then fling it into the mail hoping an editor, agent, or publisher will love it. Anyone can write a novel – right?
As a professional, you should determine whether your novel has potential. You'll still get rejections. Many business decisions and matters of taste are responsible for a publisher's rejection of a manuscript. But when the letter comes back, you should not feel helpless. You do control the destiny of your work, if you understand it's limitations and can assess it's economic potential. Writing is, after all, a business.
The second step is accepting responsibility for your work. In a recent exchange on Amazon's comment section, a writer received a very negative review from a reader. Instead of shrugging it off as a matter of taste, the author became defensive. However, instead of giving her own reasons for the novel's lack of success, she blamed her editor. Editors can be extremely helpful. Mine is superb; but, not all editors are created equal, any more than doctors, lawyers, engineers, teachers or mothers. If you really believe your editor is giving you bad advice, it's your responsibility to do something about it. If you elect to take the direction and keep your mouth shut, you can't blame the editor. As a professional, you accepted the criticism and you, not she, are responsible for your work. Your name is on the cover.
This brings us back to the first point. You can only be responsible for your work only if you have a thorough knowledge of your craft. At the start of this new decade, lets all resolve to become empowered writers.
Friday, January 8, 2010
Margaret Fieland -- Mathematical Poet
Margaret Fieland brings an unusual talent to poetry: expertise in mathematics. She discusses her work in this short article.
Writing math poems
My undergrad major was mathematics and my grad degree is in computer science, so in a way I'm a natural to be writing poems about mathematics. However, I started writing poetry as a teenager to express the usual teen angst and went on to write poetry for family holidays and the like and when I started writing poetry for publication it was about family and personal life. I never even considered writing poetry about mathematics.
I did, however, write "Round". Round was sparked by my memory of a discussion in a college physics class about the rate at which a cup of coffee would cool and how the shape of the cup played into it. I didn't love college physics, and this was easily the most memorable thing in the whole course. The other thing was a memory from a math class about the sphere having the least surface area per unit volume of any solid figure.
So I wrote "Round" and sent it off and it was accepted. A friend read it and pronounced the finest math poem she'd ever read.
Huh? This is a math poem? She did manage to convince me, and to consider writing a series of them. When I started on the series, I went looking for books on the history of mathematics, and found mighty slim pickings. One book on the story of counting for kids and one or two fairly serious, heavy tomes for grownups. I did find a few interesting articles online, but not a book of the kind I wanted.
I had initially intended not to submit any of the poems to journals, as I intend to publish them as a collection. I did submit several to Umbrella for the special school subjects fall issue and had two accepted, and submitted five this past October to the winter issue of Cyclamens and Swords (yet to appear), as the theme, ticklish subjects, seemed another good fit. I've subbed a query to one publisher and had them reply asking for some sample poems, which I sent them, and am still waiting to hear back. I'm also working on a MG/YA novel about a girl who wants to go to Music camp, and continuing to write poetry.
There is, however, still that little voice that says I should write that non-fiction math book for kids I couldn't find...
Enjoy this example of one of her poems.
Prices Reduced by Fifteen Percent
by Margaret Fieland
There's a giant price reduction,
it says prices are a fraction
just a teeny, tiny fraction
of the price they were before,
but I don't know how to figure
what the price is and how big your
really really big reduction
from the price it was before.
Since I didn't pay attention
when my teacher came to mention
how to figure a percent on
any item in the store,
now I do not know my fractions,
so I don't resist attractions
of the really big reductions
on the items in the store.
I succumb to the seduction
of their really big reduction,
but I wish I'd paid attention --
then I wouldn't be so poor.
More of Margaret's poems are available at Cyclamens and Swords. You can view them at
http://www.cyclamensandswords.
Tuesday, January 5, 2010
Worth Reading Whether you Remember Elvis, or Not.
The King and Dr. Nick is divided into two fascinating parts. First, we get a glimpse of the strange life of a super star; then, we witness what the media can do to derail a private citizen's life.
Elvis Presley was a larger than life individual. This book leads us into Elvis's world and shows us the problems, both health and psychological, he dealt with on a daily basis. It doesn't take much imagination to realize the incredible strain of performing before thousands of people nightly, coupled with the necessary travel,would place on someone. It, also, doesn't take much imagination to see that a person under so much stress would turn to drugs to try to relieve some of the pressure. It's also true that someone with the ego necessary to perform the way Elvis did, and the money generated by those performances, would be a very difficult patient to control. Dr. Nick makes a good cases that he did the best he could.
The second half of the book presents the truly shocking witch hunt engaged in by ABC that finally led to a medical board review and even a criminal trial. It's almost unbelievable that the media could create such a stir and derail the life of a private citizen. If the medical board, or the attorney general, felt there was a criminal case against Dr. Nick, in my view, they should have pursued it immediately after Elvis's death, not several years later after being hounded by the media. This section is well worth reading as a cautionary tale for all of us.
Read the book then judge for yourself whether Dr. Nick was a victim or a criminal. Personally, I think he did the best he could, and that is all any of us can do.