Read about the 2009 Muse Conference

The Muse Conference is over for another year, but it'll be back in 2010. Karen has a great article on the vbt blog. Go read about the conference, register, and get ready for next year. It was a great experience!

MA of YA does it made a differenct?

I'm not sure an age distinction on novels makes a great deal of sense. Yes, I suppose it's important to let parents and teachers know that the reading level is appropriate and there is no grossly inappropriate content. However, I find that adults are as drawn to good YA and MA novels as kids. I also know from my own experience that reading adult novels is not limited to those over the age of twenty-one. I read War and Peace and Anna Karenina when I was ten. I'm not sure I understood all the emotion, but I loved the descriptions and the language.

In summary, I guess it's important to have categories, but they shouldn't constrain people from their interests. That includes adults as well as children!

Synopsis of Steven Tremp's Thriller - Breakthrough

In a world where the Information Age is moving at breakneck speed, breakthroughs in areas of science that were once fodder for science fiction are now becoming a part of our everyday life.

A group of graduate students from Massachusetts Institute of Technology have stolen a breakthrough in opening and stabilizing Einstein-Rosen Bridges, or wormholes, as they are commonly known, that allows them to instantly transport people from one location to another. Their goal is to assassinate any powerful politician and executive controlling the world’s banking system that would use this technology for their own greedy gain rather than the advancement of mankind.

Meanwhile, in south Orange County, California, young Chase Manhattan, part of a new breed of modern-day discovery seekers, seeks to leave behind his life of danger and adventure and settle down as an associate professor of physics at University of California-Irvine. He also desires to build a lasting relationship with a beautiful girl he has not seen since high school.

But within days, he uncovers the diabolical scheme on the other side of the country and finds himself the one person who can prevent more murders from happening and ultimately destroy the technology. However, once the MIT group realizes Chase and his friends have the ability and motivation to not only take the breakthrough technology from them, but also thwart more killings, Chase soon finds himself in their crosshairs, the latest target on their list of assassinations.

As the death toll mounts, Chase and his friends must battle this group of ambitious graduate students from MIT on both coasts and in cyberspace in a desperate race to control or destroy this breakthrough that threatens to drastically change life as we know it.

Breakthrough, the first book in the Adventures of Chase Manhattan series, begins with a bang and offers the audience exciting, new, and diverse heroes and villains. The result is a fresh suspense thriller series integrating elements of greed, betrayal, passion, lust, unconditional love, coming of age, and hope. The action is swift, and there are numerous twists and turns that will keep the reader turning the pages and wanting more.

Meet Steven Tremp

Stephen Tremp was born in Marshall, Michigan, in 1962. He is the third out of four children of Duane and Joyce Tremp. When he was five, his family moved to Grand Ledge, ten miles to the west of the capital city of Lansing. Stephen attended Holbrook Elementary, Beagle Middle School, and Grand Ledge High School. He always dreamed of writing and enrolled in numerous English and writing courses throughout high school and junior college.

After living in Houston, Texas, for one year when he was nineteen, Stephen moved back to Lansing, Michigan, briefly a year before moving to Orange County, California, where he has lived ever since. He met his wife, Deena, and married her in October 1996 in an outdoor ceremony in Dana Point, California, high up on a bluff overlooking the Pacific Ocean. They have two children and a Yorkie. Stephen had to make a very difficult decision and give away his beloved parrot, Pepper, a nanday conure, when the children were born.

Stephen attended Golden West and Orange Coast junior colleges before finishing his undergraduate degree with the University of Phoenix with a B.A. in information systems. After a two-year hiatus, he went back to the University of Phoenix, where he earned an MBA degree in global management. He is currently completing his doctorate program in business administration with the University of Phoenix.

Stephen spent over ten years in consumer finance for some of the largest companies in the industry, holding numerous management positions and often working over 60 hours a week. He has also worked as a classroom and online instructor, facilitating various courses in the field of Project Management.

After many years of writing short stories and poems—when he could squeeze in the time—Stephen has taken the last two years off to fulfill his lifelong passion: write and publish Breakthrough, the first installment of the Chase Manhattan trilogy. He has four more suspense thrillers to follow. Stephen receives his inspiration from some of his favorite authors: the Douglas Preston and Lincoln Child tandem, Dean Koontz, and Stephen King, among others.

Stephen has identified two charities to donate proceeds from his books: The Children’s Hospital of Orange County (CHOC) and Susan G. Komen Race for the Cure.

I asked Steven some questions.

What or whom inspires you to write?

I just see life and all of my experiences as one continuous action suspense story just waiting to be transferred to paper. I see “what if” scenarios throughout the day, regardless of where I am, what I’m doing, or who I’m with.

Although I’m a bit of an introvert, I’m very passionate about developing “what if” scenarios. I can relate to the Drew Carey’s show Whose Line Is It Anyway? an improvisational comedy show. Give me a simple “what if” scenario, and I can develop it into an action suspense trilogy that will keep the reader up late at night, turning the pages.

I draw much inspiration from Dean Koontz, Dan Brown, Stephen King, and the Douglas Preston and Lincoln Child tandem. I read a lot of fiction thrillers and felt I needed to identify a unique niche market that a large segment of the population could identify with and get excited about.

I think I’ve found it in a world where the Information Age is moving at breakneck speed, and breakthroughs in areas of science that were once fodder for science fiction are now becoming a part of our everyday life. I believe I’ve found my calling, my gift to the world.

How did you get started?

I accepted a voluntary layoff after toiling over 10 years in the banking and finance industry and took advantage of the opportunity to write full-time.

Breakthroughs in physics and technology are broadcast into millions of homes via numerous cable channels in layman’s terms and computer graphics anyone can understand. I thought I would capitalize on this particular niche and incorporate them into an action thriller series weaving together breakthroughs in physics and technology with greed, murder, and mayhem. Will these breakthroughs benefit mankind and be used to further civilization, or will they be stolen and used for greedy gain? I think we know the answer. That’s why the world needs a hero like my protagonist Chase Manhattan.

What did you find to be the most frustrating step/process of getting your first novel published?

I signed a non-exclusive contract with iUniverse, who was acquired by AuthorHouse. During the transition, much information was lost and it took about two or three additional months to bring Breakthrough to market. iUniverse (really, AuthorHouse) originally sent my unedited draft off to print. Can you imagine my response when I received the (ahem) final product? This was just the beginning of a series of comedies of errors.

But iUniverse has terrific customer service. They fixed everything in a timely manner. So some of the sting of their mistakes (which were many) were soothed by awesome customer service reps.

Do you have an agent? If yes, how long did it take for you to find one?

I do not currently have an agent, but I am actively pursuing one. I use Publisher’s Marketplace, a site to look for reputable agents and view deals they have made over the past couple years.

It took about three months of receiving feedback from various sources before I felt my query letter was professional. I even had my editor / proofreader go over it. I now understand why, after my initial effort of sending out my query letter, I received rejection for every one.

I feel much more confident today and have just this past week sent out about 50 query letters to specific agents. I’m expecting big things in the near future.

How long did it take for you to write Breakthrough?

Two years from start to finish. I thought I could accomplish everything in about eight months. But after the first editing/proof reading, I realized I still had a lot of research to perform and character development to perform. Then I had a second editor / proof reader go over the entire manuscript a second time. This was money well spent.

Are your characters based on yourself or anyone else you know?

The protagonist, Chase Manhattan (I may have to change his name to Chase Hawkings) is loosely based on me, only he’s a little bit taller than I am, a little bit better looking, a little faster, stronger, smarter, and much richer.

The rest of the good guys (and girls) and bad guys (and girls) are partialy made up and partially based on people I’ve known throughout my life.

Have you ever suffered from writer’s block? What seems to work for unleashing your creativity?

Honestly, I don’t suffer from writer’s block, although there are times when I do write, I can’t use the material because it lacks substance or excitement. So I save the material and revisit the snipits in the future. I have a junkyard of sorts, and if I need a part, I go to my junkyard, grab what I need, then polish, refine it, and insert it.

Technically speaking, what do you have to struggle the most when writing? How do you tackle it?

I really don’t struggle very much as I love what I do. I love performing due diligence in my research. Much of the two years I spent writing Breakthrough was devoted to researching the latest and greatest in the realm of physics.

I also had to research the Boston and Cambridge, MA area via the Internet as well as Boston police procedures. I also use Google Earth and yearly weather reports to describe a particular area. Honestly, there is so much information available at my fingertips, the biggest struggle I have is sorting through the wealth of information and eliminating relevant data.

What advice would you give someone who wants to get a book published?

The number one piece of advice I can give an aspiring author is to budget money for a competent editor / proofreader. Even editors who want to write and publish a book need an editor. This is the biggest, and one of the easiest, mistakes an author can make.

Editors / proof readers are vital to your success. Vital is an appropriate word. It means: necessary for life. Don’t try to go it alone, even if you call yourself an editor. You need that second set of eyes to look over your manuscript before you forward it on for printing.

You’re only as good as your editor / proof reader. Perception is reality, and the person buying your book will be the ultimate judge, not you, the author. I can say this with confidence, and hope to convince everyone I can to find a way to budget for a quality editor / proof reader.

Most editors / proof readers will review your first 10 pages for free. I’m confident even the most experienced writers will be amazed at the results. Do what I did; pay for a few pages here, a few chapters there. Before you know it, your entire manuscript will be transformed into a work of art.

Please share with us your latest work-in-progress.

I am currently writing the next two installments of the Breakthrough trilogy entitled Opening and Escalation. These two books will pick up where Breakthrough left off and take the story on an international level. The setting is the United States, China, and the Middle East.

These next books are very exciting as I use more discoveries and breakthroughs in physics in these books. Its too early to give away anything from these books, but for those who read Breakthrough, they will have a pretty good idea what direction Opening and Escalation will go.

What’s awesome for me is that I do not have to not have to set my stories centuries in the future and use characters with pointy ears. Since mankind is on the cusp of discoveries and breakthroughs in just about every facet of our lives, I can use our modern day setting and not have to resort to using a science fiction genre.

I’m also outlining an eerie Stephen King-type thriller entitled Murcat Manor set in Michigan.

Where can people buy your book?

Readers can visit my blog site at http://www.stephentremp.blogspot.com

Currently, Breakthrough can be purchased through traditional retailers. Currently, Breakthrough is cheapest though Barnes and Nobel, but can also be purchases through Amazon, Borders Books and Music, and Target.

http://search.barnesandnoble.com/Breakthrough/Stephen-Tremp/e/9780595710706/?itm=1

http://www.amazon.com/BREAKTHROUGH-Adventures-Manhattan-Stephen-Tremp/dp/0595710700/ref=sr_1_1?ie=UTF8&s=books&qid=1244176584&sr=8-1

Are You a Real Writer?

Recently, I had a rather startling experience. One of the writer's groups I belong to wanted people who had been published to sign up as “Published Authors.” I checked out the criteria and discovered, to my surprise, that the only criteria for becoming a”Published Author” was having an advance from a publisher. This seemed a rather narrow criterion, so I asked the person in charge if I was reading it correctly. I was assured that I was, and further, this meant anyone published by a small publisher, ebook publisher, self-published, or unlucky enough to have a NY publisher who didn't give advances, wasn't a “Published, or Real, Author.”

This experience led me to ask the question: What makes you identify yourself as a real writer? There are many criteria. Do you have to have a NY publisher? I know several people who don't feel like “real writers” unless they have a “Big Publisher.” At the present time, many big publishers are in deep financial trouble. They're consolidating, dropping publishing lines, mid-list authors, editors and generally trying to downsize. I applaud these moves from an economic perspective, but is this a criteria we should tie our understanding of ourselves to?

If you're published by a small publisher, are you a “Real Writer?” Many small publishers have excellent lists. Sometimes they publish, and have in the past published, outstanding novels that didn't fit the mainstream publishers. Classics have come from small publisher imprints. Are some of our best writers not "Read Writers," because they took a chance on what they wanted to write rather than on what a publisher thought would sell?

Ebooks are taking the world by storm. While sales of hardback and paperback books are declining, the sale of ebooks last quarter was up by 134 percent. Admittedly, they had a smaller base to work from, but to me, it's a sign of the times. The champions of ebooks aren't the NY publishers, they're book sellers: Amazon, Barnes and Noble, and Google. What happened to the publishers? Some of them are trying to jump on the bandwagon, but they're running fast to catch up. Aren't you a “Real Writer,” if your publisher specializes in ebooks?

People who self-publish, are they somehow a lesser breed of writers? In the past, many books that have subsequently become best sellers were published by the authors. I suppose these writers weren't “Real Writers” either. We have all sorts of pejorative terms for self-published writers, but is that only because we're afraid that they have more guts than we do? Believing in yourself is critical. If you truly believe you have something to say, why not self-publish. In today's internet age, we have Lulu and Create Space who publish books not only for their own websites, but have them listed on the big sellers like Barnes and Noble and Amazon. There are other options like iUniverse and First Books. If writers use these mechanisms to get their message out, aren't they “Real Writers?”

Personally, I believe that anyone who has the guts to get his or her ideas in front of other people is a “Real Writer.” I admire people who believe in themselves enough to self-publish, use ebook publishers, small publishers, or any other mechanism to get their ideas out. I may not want to read their books, but then, I don't read all the books that come out of NY either.

So the question is “What makes you feel like a “Real Writer?” I talked mostly about book publishing, but that's not necessarily what makes a "Real Writer." Don't be shy, tell us about your criteria. If you post on your blog. I promise to come and read what you have to say, if you let me know where you are.

Life Begins at 60 by Carolyn Howard-Johnson

Permission is given to print this essay in its entirety, including byline and tagline.

No charge will be incurred by the publisher.

Beating Time at Its Own Game

By Carolyn Howard-Johnson

Sometimes the big barriers in life aren’t abject poverty, dreaded disease or death. Sometimes it’s the subtle ones set upon us by time and place. The ones that can’t be seen and can’t be acknowledged because we don’t know they are there. They creep up silently on padded feet and, if we sense them at all, we choose not to turn and face them.

The decade of the 50s was a time when these kinds of barriers faced those with dark skin, those who lived in closed religious communities, and those who were female.

When I applied for a job as a writer at Hearst Corporation in New York in 1961 I was required to take a typing test. I was piqued because I wasn’t applying for the typing pool; I was applying for a post as an editorial assistant.

I was told, “No typing test, no interview.” I took the test and was offered a job in the ranks of those who could do 70-in-a-minute. I had to insist upon the interview I had been promised. I was only twenty and had no real skills in assertiveness. Today I am amazed I had the wherewithal to do that.

The essentials of this anecdote lie in the fact that I was upset for the wrong reasons. My irritation was a reflection of hubris. However, that pride was probably what goaded me into speaking up; pride is not always a bad thing to have.

It never occurred to me that this requirement was one that applied only to women much less that I should be angry for the sake of my entire gender. Prejudice is sometimes like traveling on well-worn treads; you have no idea you’re in danger. It also feeds on the ignorance of its victims. They benignly accept their lot because they know no better.

Something similar was at work when I married and had children. I happily took a new direction to accommodate my husband’s career and the life the winds of the times presented to me. I left my writing with hardly a backward look. Back then, in the days before women had been made aware, the possibilities were not an open book to be denied or accepted. I just did what was expected by the entire culture.

Things are so much better now; I don’t think women younger than their mid-fifties have any idea or how ignorant most women were to their own possibilities. That there was a time when we didn’t even know we had choices is not fiction. Most women were full time mothers and often didn’t drive or have their own transportation.

I had always wanted to sit in a forest or an office or a newsroom with a pencil in my hand. I dreamed writing, lived writing and loved writing. I wanted to write the next “Gone with the Wind” only about Utah instead of about the South. I had a plan that was, itself, gone with the wind.

It was the 1950s and women in that time, and especially in that place, had no notion of who they should be, could be. It was difficult to think independently; most everyone around them had difficulty seeing the difference between society’s expectations and their own.

“You can’t be a nurse,” my mother said. “Your ankles aren’t sturdy enough.” I also was told I couldn’t be a doctor because that wasn’t a woman’s vocation.

“Be a teacher because you can be home the same hours as your children, but learn to type because every woman should be able to make a living somehow if their husband dies.”

Writing was not a consideration. It didn’t fit any of the requirements. So when I gave it up, it didn’t feel like I was giving up much.

When I began to put myself through college I took the sound advice and studied education so I’d have a profession. I made 75 cents an hour (this was, after all, the 50s!) working as a staff writer at the Salt Lake Tribune. That I was making a living writing didn’t occur to me. I met a handsome young man and we were married. His career took precedence; that was simply how it was done. Then there were two children, carefully planned, also because that was how it should be done. By the 70s we both yearned for a career with autonomy, one where we could spend time with our children and be in command of our own lives.

My dream was a victim of the status quo. It never occurred to me to just strike out in my own direction when my husband and children needed me. The pain was there. I just didn’t recognize it so I could hardly address it and fix it.

My husband and I built a business. We raised a lawyer and a sociologist, grew in joy with a grandson, lived through floods and moves, enjoyed travel. For forty years I didn’t write and, during that time, there were changes. Women had more choices but more than that they had become more aware. The equipment—the gears and pulleys—were in place for a different view on life. In midlife I became aware that there was an empty hole where my children had been but also that the hole was more vast than the space vacated by them. I knew I not only would be able to write, I would need to write.

Then I read that, if those who live until they are fifty in these times may very likely see their hundredth year. That meant that I might have another entire lifetime before me—plenty of time to do whatever I wanted. In fact, it’s my belief that women in their 50s might have more time for their second life than they did for the first because they won’t have to spend the first twenty years preparing for adulthood.

One day I sat down and began to write the “Great Utah Novel.” I thought it would be a lot easier than it was. I had majored in English Lit. Writing a novel should be pretty much second nature.

It wasn’t long before I realized that it wasn’t as easy as writing the news stories I had written as a young woman. There were certain skills I didn’t have. It was a discouraging time. I might not have to learn speech and motor skills and the ABCs but there sure was a lot I didn’t know about writing.

Somewhere after writing about 400 pages (easily a year’s work), I knew something major was wrong.

I took classes at UCLA in writing. I attended writers’ conferences. I read up on marketing. I updated computer skills that had been honed in the days of the Apple II. And all the while I wrote and revised and listened and revised again. This Is the Place finally emerged.

It is about a young woman, Skylar Eccles, who is a half-breed. In Utah where she was born and raised, that meant that she was one-half Mormon and one-half any other religion. Skylar considers marrying a Mormon man in spite of her own internal longing for a career. By confronting her own history—several generations of women who entered into mixed marriages—and by experiencing a series of devastating events, she comes to see she must make her own way in the world, follow her own true north.

Much of what I wrote about is my own story. If my novel were a tapestry, the warp would be real but the woof would be the stuff of imagination—real fiction.

I think I bring a unique vision to my work. Utah has a beauty and wonder of its own. The Mormons are a mystery to many. I tell a story about Utah in the 50s that could only be told by someone who lived in that time and place and who was a part of the two cultures—the Mormon and the Nonmormon—that make it a whole.

I am proud that I did it. I’m glad that I waited until I was sixty. Forty years brought insight to the story in terms of the obstacles that women faced in those days.

I also like being proof that a new life can start late—or that it is never too late to revive a dream.

---------------------

Carolyn Howard-Johnson is the award-winning author of This is the Place, Harkening: A Collection of Stories Remembered, and Tracings, a chapbook of poetry. She is also the author of The Frugal Book Promoter: How to Do What Your Publisher Won't. and The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success, both award-winners. This tip sheet is one of many she uses to share her publicity secrets with fellow authors. Learn more about her at http://carolynhoward-johnson.com or www.howtodoitfrugally.com

Meet Carolyn Howard-Johnson

As a college freshman, Carolyn Howard-Johnson was the youngest person ever hired as a staff writer for the Salt Lake Tribune--"A Great Pulitzer Prize Winning Newspaper"-- where she wrote features for the society page and a column under the name of Debra Paige.

Later, in New York, she was an editorial assistant at Good Housekeeping Magazine. She also handled accounts for fashion publicist Eleanor Lambert who instituted the first Ten Best Dressed List, where she wrote releases for celebrity designers of the time including Pauline Trigere, Rudy Gernreich and Christian Dior. She was also a consultant for the Oak Park Press in the Chicago area.

Her nonfiction and humor have been seen in national magazines and her fiction and poetry appear regularly in anthologies and review journals. She has been a columnist for The Pasadena Star News and is now a columnist for Home Décor Buyer, a trade magazine, and Myshelf.com and others. She writes movie and theatre reviews for The Glendale News-Press.

She studied at the University of Utah, graduated from USC and has done postgraduate work in writing at UCLA. She also studied writing at Cambridge University, United Kingdom; Herzen University in St. Petersburg, Russia; and Charles University in Prague.

The author’s first novel, This Is The Place, and her book of creative nonfiction are award-winners. She also wrote a screenplay, The Killing Ground. Her book The Frugal Book Promoter: How to Do What Your Publisher Won't was named USA Book News' Best Professional Book of 2004 and won Book Publicists of southern California's Irwin award.

The second book in the HowToDoItFrugally series is The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success which also won a USA Book News Best Book nod. It is also the winner of Reader Views Literary Award and a finalist in the New Generation Indie Best Book Awards. Her marketing campaign for that book took top honors for marketing.

Howard-Johnson’s stories have appeared in anthologies like: Pass/Fail, edited by Rose A. O. Kleidon, PhD; Calliope’s Mousepad in review journals like California State University at Stanislaus's Penumbra and the Mochila Review.

She was honored as Woman of the Year in Arts and Entertainment Award by California Legislature members, Carol Liu, Dario Frommer and Jack Scott. She is the recipient of her community's Character and Ethics award for her work promoting tolerance. She was honored by her city's Character and Ethics committee for promoting tolerance with her writing and was named to Pasadena Weekly's list of 14 women of "San Gabriel Valley women who make life happen"

Born and raised in Utah, Howard-Johnson raised her own family in sunny Southern California.

Blogs on Writing Topics:

http://www.SharingWithWriters.blogspot.com

Sharing with Writers is a blog on all things publishing with an emphasis on book promotion. It was

named to Writer's Digest 101 Best Website list.



http://TheNhttpewBookReview.blogspot.com 

The New Book Review is a great way for readers, authors, reviewers and publicists to get more

mileage out of a great review. Guidelines for submitting (and recycling) good reviews are in the left

column. Scroll down a bit. It's free. 



http://www.SizzlingBookFairBooths.blogspot.com

This is a blog where participants in in my HowToDoItFrugally cooperative fair booths exchange idea

that make a ho-hum booth into a sizzling success. We keep it open so all authors can learn from our

successes and mmmm...challenges.





http://www.TheFrugalEditor.blogspot.com 

This is the Frugal, Smart and Tuned-In Editor blog. It covers everything that has anything to do with

editing from grammar to formatting. The question and answer format encourages you to get the answers

 you need.