Sara, a Swedish girl, arrives in Iowa expecting to be met by her friend Amy. They have been writing to each other about their first love, books. Sara is excited to meet her friend and continue their discussions in person, but Amy doesn't show up. Sara gets a ride to Broken Wheel, the town where Amy lives, only to discover that she has died. The town has a dilemma. Sara is there but she has no host. Being the kind of town it is, they decide to become a collective host. Providing free food and transportation is nice, but Sara feels uncomfortable taking advantage. Her inspiration is to start a bookshop using Amy's books. The townspeople rally to help her and one especially draws her attention. Tom, Amy's nephew, professes no interest in her and she him, but things could change. The town of Broken Wheel is unusual. It is practically a ghost town, but the few remaining residents help each other survive. The town is filled quirky characters from George, an alcoholic, who becomes Sara's chauffeur to Carolyn who feels obliged to keep the town running smoothly. I thought the author did a good job creating a variety of characters, but not letting any of the minor characters take over Sara's story. Books fill the story. Amy's letters are fully of recommendations of what to read. This can be a bit heavy handed at times, but the book discussions serve to enrich Sara's character. She loves the books so much you're tempted to try her suggestions if you haven't already read the books. If you like old fashioned boy meets girl romance with no sexual antics, you'll enjoy this book. The romance, however, is almost a subplot. The real story is how the town of Broken Wheel survives and takes care of it's own. I reviewed this book for Net Galley.
Nancy Famolari's Place
Nancy Famolari's Place features articles on writing. The articles are designed to help new writers by providing tips from published authors. The blog is available on rss feed from Kindle Direct Publishing: http://nancygfamolari.blogspot.com/feeds/posts/default?alt=rss
Monday, January 18, 2016
A Heartwarming Story of an Unusual Town, a Bookstore and a Romance
Tuesday, November 17, 2015
The Jesse Tree: A Christmas Tradition for Your Family
Written by
ten-year-old Theresa Seidltz, Countdown to Christmas tells the story
of her family's Christmas tradition. Each night from the first of
December, the family sings, Come of Come Emmanuel, reads a Bible
story, and hangs an ornament on their small tree. The ornaments bear
the likeness of the person the story is about. As the family
progresses through the Bible from Adam and Eve, to Abraham and Sarah,
Saul and David, and Jesus, the tree becomes adorned with the people
who helped shape Judaism and Christianity.
The stories in the
book are short, each being one page. They're suitable for an adult to
read to younger children, but older children could read them for
themselves or read them aloud to younger brothers and sisters. Each
story is accompanied by a drawing introducing the characters. At the
end of the book, the family places the final ornament for Jesus and
sings Silent Night. The paper ornaments are included in the book and
could be used for many years.
I highly recommend
this book. It's a good way for families to be together to enjoy the
religious aspects of the Christmas season. It's also a good time for
parents and children to talk about the Bible stories and what they
mean in their own lives.
I received this book
from PR by the Book for a review.
The book is available from Amazon,com
Thursday, October 8, 2015
A Search for the Secret to Eternal Love: A Poet's Secret by Kenneth Zak
Review:
Elia, a lit student,
is infatuated with Cameron Beck's masterpiece, Secrets of Odysseus.
The book is a compilation of poems Beck wrote to his mysterious muse,
but no one knows who she is. Elia is determined to find out. She
desperately wants to know what love is and Cameron seems to have the
answer.
In a coffee house
one night before the end of term, she thinks she hears Beck read a
new poem. The poem is left behind when the poet vanishes. Elia
rescues it and now is determined to find Beck. The search leads her
to a remote Caribbean Island. The islanders have befriended Beck and
resent the stranger's intrusion, but she persists.
This love story is
told from several perspectives. Elia is the protagonist in the
present day, but we also see Cameron. In the past, we see him and his
lost love. Usually, I find stories told in two time periods don't
work well. However, in this case with the secret of lost love as the
thread holding the story together, it works well.
Elia is a
delightfully naive character. She is desperately searching for the
meaning of love, but she is also capable of determination to see her
adventure through to completion. Beck is a more nebulous character.
We glimpse his total infatuation with his lover, but in the present
day he is more subdued yet willing to part with his secret to the
right person.
The characters who
inhabit the island: Isabella, the island matriarch, Fatty, the
medical doctor with a drug habit, Paco, the cantina owner, and
Falcon, the pilot, are extremely well drawn. Each is unique and each
fits the setting perfectly. They were some of the best parts of the
book.
If you enjoy an
adventure wrapped in a romance, you'll enjoy this book.
I reviewed this book
for PR by the Book.
Author Q&A:
What
inspired you to write The
Poet’s Secret?
At
the time I wrote The
Poet’s Secret,
I was on a personal pilgrimage. I essentially took a threeyear
sabbatical, sort of an adult “time out,” and embarked on a new
path. I dedicated myself to explore the meaning of life and love and
particularly the arc of passion. I became consumed by the idea of
living in the present, honoring the “now” as the only real moment
in time, the only authentic eternity, which allowed me to both
disconnect and connect like never before and let go of the constructs
of past and future as fictions created by the mind. I gained a new
appreciation for relatively brief moments and encounters as having
potentially profound effects. I was living abroad, reading, writing,
surfing and slowing down my existence.
The
tale that became The
Poet’s Secret
was conceived in a hovel perched atop a onetable taverna in the
hillside village of Avdou, just a scooter ride from the blue waters
of the Aegean Sea on the island of Crete. I was sequestered alone,
halfway around the world from my home, and recovering from a life,
and a relationship, that had left me hollow, or at least I thought at
the time. But it turned out words kept flowing out of me, first in
raw, chunky verse that faintly resembled poetry and then in images
and scenes that bore an even fainter resemblance to a novel. For
months I wrote, swam in healing waters and disappeared into this
remote, antiquated Greek village. I had never done anything like that
before, but at the time it was the only existence that made any
sense.
So
many miracles happened during those months. I experienced a
cleansing, a healing and an awakening, and I began to perceive light
and water and imagery and words and the souls around me like never
before. I eventually returned to California, and then traveled to
Bali, Mexico, Costa Rica, Thailand, Cambodia and South America,
following the sea and surf with laptop in hand and continuing to
write. The backstory to writing The
Poet’s Secret
is a story in itself.
How
did you select the locations for the novel?
It
was tempting to set the bulk of the novel in Greece, a country I
adore. However, as the story evolved the compass for the island
setting spun toward the West Indies, and the story’s life raft
washed ashore on the fictional island of Mataki. I was fortunate to
spend a good part of my sabbatical on tropical islands and coastal
villages that certainly informed the setting. As for the early campus
setting, I based it on a fictionalized version of my beloved alma
mater, The Ohio State University.
What
was your particular process in terms of plot, outlining and
character?
I
essentially began the novel with two scenes that were haunting me.
First, I had a reclusive poet on a remote island cliff about to
attempt suicide. Second, I had a bookish young woman captured within
the confines of the great romances of literature. I really had no
idea about their connection, if any, but those two images would not
let go of me. As I began to write, the concept of the woman yearning
for what nearly kills the poet began to take hold.
The
process was fairly organic. I let the characters breathe and lead me
into the story. I wasn’t even sure whose story it was until shortly
after the first draft. Once the closing scene appeared to me I
realized that it was really Elia’s story. I then just had to
navigate getting there. While I did not develop any formal outline, I
downloaded scenes as they appeared, stockpiled them and later wove
them in when they seemed to make sense. It was a bit like swimming
across a sea, not sure which direction land might be but hoping that
if I kept going I would eventually find my way.
Stumbling,
a bit blindly, through this creative process was both exasperating
and exhilarating. As I was working on revisions, I attended several
writers’ conferences that stressed the necessity of thorough
plotting, which made me feel a tad vulnerable. I later read an
interview about Michael Ondaatje’s process in writing The
English Patient
and realized I was in good company.
The
novel is filled with excerpts of poetry, which came first, the poetry
or the narrative arc?
Most
of the poetry was written before any narrative took form. The poetry
came in often painful and soulsearching flourishes, and then was
revised over time. There is a line in The
Poet’s Secret
where Dean Baltutis refers to the poet’s inspiration being
“survival.” That is precisely how it felt at times. I also wanted
to combine both poetry and prose into one novel and attempt to slow
down the reader a bit at the beginning of each chapter to contemplate
and absorb the poetry, to be in that moment so to speak, before
continuing on the narrative journey.
What
in particular surprised you about the process of writing The
Poet’s Secret?
I
didn’t want to force plot twists or preconceived outcomes. I let
the characters find the story. I let go of expectations and trusted
the story to evolve. Tapping into this creative process was freeing,
exhilarating and challenging, sort of like jumping off a cliff into
the sea for the first time. I had never done anything quite like it,
but this particular process for me felt authentic. I certainly was
surprised how well the early drafts of the poetry and manuscript were
received, which bolstered my confidence to pursue the project through
publication.
Water
imagery is abundant throughout the novel, what is the particular
connection for you with water and particularly with respect to this
novel?
I
was thrown onto a swim team at age 8 even before I passed beginners
swim lessons (I was terrible at the back float). But water soon
became my life and in many ways my salvation. Throughout my youth I
swam, played water polo, lifeguarded and hung around Lake Erie in
northeastern Ohio. Somehow, I didn’t even see an ocean until I was
18. But I recall climbing out of the backseat of a Datsun 210
hatchback (or what they claimed to be a backseat) after driving for
twentytwo hours to Ft. Lauderdale for spring break and telling
my college buddies to just pick me up in a few hours. I was
mesmerized. I sprinted into the Atlantic Ocean and swam and
bodysurfed until dark. Today, I surf or swim almost every day. I feel
like I am about eighty percent water, the remaining twenty percent
made up mostly of curiosity and mischief.
Much
of the water in the universe is said to be a byproduct of star
formation. I’m no scientist, but I like the way that sounds.
Because when I look up at the night stars it feels a lot like gazing
west an hour before the sun dips into the sea, at least at my secret
little spot by the water. Flickering diamonds scatter everywhere
along the surface, and if I squint just right, I forget the sea is
even there. Instead, it looks like a galaxy of stars shimmering right
into me, washing across my heart, reflecting off my smile and filling
me with the belief that I can just float away into the universe. So I
often do.
Spiritually,
water often represents purification and healing. To me, water
represents so many things, perhaps most importantly love and life and
the sacred feminine. I once nearly died underwater while surfing in
Uluwatu, a place few have ever heard of and even fewer have visited.
But I know on so many occasions water has saved me, water has healed
me, and water has reset my compass when I have been spinning in some
uncontrollable vortex. So for me, my life and my love seem to be tied
to returning to the great aquatic source, again and again, maybe just
to fill the chasm that still exists in me, and maybe to some degree
still exists in all of us.
I
have been fortunate to swim with sea turtles and dolphins in the wild
on many occasions. When I stare into the eyes of a sea turtle or a
dolphin I cannot help but believe that they understand this great
aquatic connection, a connection beyond humanity, beyond species,
beyond even the stars. So when I am writing about passion,
heartbreak, healing, life and love, it is only natural for me to
write in a particularly aquatic language and style.
Promotional Links:
Author
website:
Book
trailer:
Buy
links:
Indiebound:
Sunday, October 4, 2015
French Wine, a Missing Woman, and the Mob: Gold Coast Blues by Marc Krulewitch
Review:
Jules Landeau is a
private investigator, although both his father and grandfather were
in the mob. He's mostly playing it straight, but his knowledge of the
criminal underworld helps when an ex-con, Eddie, hires him to search
for Tanya, his missing girl friend.
Jules is reluctant
to take on the case. Eddie is newly released from prison, and he's an
unpleasant character. But Jules is a sucker for a Jersey boy who
wants to find his lost love. After searching through Chicago's North
side, Jules realizes that the case is not as simple as finding the
girl. A valuable French wine and a dirty Jersey cop complicate the
case. After plenty of twists, Jules succeeds with a surprising
ending.
If you like stories
featuring tough investigators, the mob, and a convoluted plot, this
is your kind of book. The Chicago background is a perfect setting for
the hunt for the missing girl.
I enjoyed the book,
but thought there were almost too many characters. Once Jules leaves
Chicago for New Jersey the plot twists come fast and more characters
complicate the action. Although I found the subplot with the
expensive wine engrossing, it seemed like a detour from the major
action until about halfway through the book. The other problem with
the book for me was that the character motivation seemed thin. This
was particularly true of Margot and Doug, the owners of the wine.
I recommend this
book if you like a fast paced mystery with plenty of twists.
I reviewed this book
for Net Galley.
Excerpt:
Around West Wacker Drive and Orleans Street, the Chicago River forked north-northwest, roughly parallel to busy Clybourn Avenue, which served as an excellent boundary to neighborhoods I thought might accommodate a nice wine bar. Webster Avenue ran through one of those neighborhoods and when I saw the Auvergnat Vin Bar, I slowed down before parking across the street, at Pâtisserie Grenouille. A violin-playing frog dressed as a maître d’, and standing on a hunk of Camembert, graced its window.
A black Porsche SUV with the license plate VINMSTR was parked in front of the Vin Bar. Although a wine tasting wasn’t scheduled until four, the door was unlocked, which I took as an invitation to enter. The venue reeked of country cottage schmaltz. Large paintings of sweeping Rhône sunsets and Loire Valley vineyards covered the walls. Antique wooden cabinets and wine racks hung from exposed brick. A few tiny shelves of distressed wood blended in perfectly despite holding pamphlets advertising something called a “wine equity trust.”
Behind the bar, a man carefully arranged a row of sidecar cocktail carafes. Near him, a gangly redheaded kid, who looked too young to be legally standing behind a bar, held a small spiral-bound notebook while studying a row of glass stemware, each holding a different shade of red wine. Standing in front of the bar, a man wearing a full-length black apron garnished with a stickpin of gold grapes looked thoughtfully over tables covered with bottles, glasses, and menus. He was tall with thick, black wavy hair, and his nose was slender and shiny. Around his neck hung a small silver saucer attached to a chain. I was practically in his face before he glanced at me and said, “Can I help you?”
“I’m sorry, I guess you’re not open yet. But your door was unlocked.”
“Yes, we don’t mind if people curious about wine wander in. Unfortunately, the Provence tasting doesn’t start for another hour.”
“What’s a wine equity trust?” I said.
Grape Man looked me over. Then he kind of shook his head a few times with a look of utter confusion. “Sorry. Who are you exactly?”
“I’m looking for a girl named Tanya Maggio. I was told she works here.” I showed him my investigator’s license.
“My god, you’re serious.”
“What’s that supposed to mean?”
Grape Man let out a laugh-snort. “I’ve just never met a private eye before. I thought you guys only existed in the movies.”
“Next time, I’ll wear an overcoat and fedora. Do you know Tanya?”
“I’ve never known anyone named Tanya, and she certainly doesn’t work here.”
“What about the other staff members? Maybe they knew her before you arrived?”
Grape Man snorted again. “Ahhhh—no. None of them arrived before me. I hired them all—stole them all, some say. Only people with a proven background and education in serving and tasting wine can work here.”
“Any other fancy wine bars on the North Side, near the river?”
Grape Man’s face lit up. “Any wine north of here along the river is poured from a cardboard box into a plastic cup.” A hearty laugh. I was the perfect straight man. “I put this place out of its misery six months ago.”
“You’re the new owner?”
“Six months ago. That’s what I just said.”
I wondered how long this guy would last in Eddie’s world before someone shoved that pin down his throat. “And the poor huddled masses that made up the staff of the previous miserable establishment? All fled from the black-caped wine taster with the silver spoon around his neck?”
Grape Man gave me a savage look. “I hold diplomas from the Court of Master Sommeliers, the Wine and Spirit Education Trust, and the Institute of Masters of Wine. And I’ll be damned if I’m going to let you walk into my wine bar and insult me.” As he continued describing my disrespectful behavior, I put a card on the bar, then bowed deeply as I backed away.
Tuesday, September 29, 2015
A Place We Knew Well by Susan Carol McCarthy
Review: A Family Tragedy
Intersects a National Emergency
Wes Avery, a tail gunner during WWII, is a good man. He loves his wife and daughter and works hard at his Texaco Station not far from McCoy Air Force base near Orlando, Florida. His wife, Sarah, has not been the same since her hysterectomy. Now with an approaching hurricane, she is withdrawing from reality and popping pills.
Wes Avery, a tail gunner during WWII, is a good man. He loves his wife and daughter and works hard at his Texaco Station not far from McCoy Air Force base near Orlando, Florida. His wife, Sarah, has not been the same since her hysterectomy. Now with an approaching hurricane, she is withdrawing from reality and popping pills.
His daughter
Charlotte is in her senior year of high school. She's caught up in
being selected as a member of the homecoming court and falling in
love with Emilio, a Cuban refugee boy. Avery likes the boy well
enough, but Sarah doesn't want Charlotte associating with him. This
creates tension in the family and raises the specter of the family
secret.
As if the
approaching hurricane weren't enough, Avery notices the buildup of
aircraft, including U2 stealth aircraft, at McCoy. This is the start
of the Cuban Missile Crisis. Everyone is worried, but it affects
Sarah especially.
The description of
Florida at the time of the Cuban Missile Crisis is excellent. For
anyone alive at the time, it will bring back memories; for younger
people, it provides a glimpse of what life was like at the time.
Wes Avery, the main
character, is well done. He's struggling with a family situation he
doesn't understand, trying to manage his gas station, and keep his
fear for his family in check. The other characters, Sarah and
Charlotte, felt sketchy. Sarah is a fairly typical wife and mother
caught in the trap of too many pills and a harrowing time. Charlotte
makes only fleeting appearances except for the beginning and end.
I enjoyed the book
for the glimpse of history and recommend it for that reason. Some of
the plot didn't work for me. The family secret seemed to be dragged
in at the end, and the conclusion wasn't satisfying.
I reviewed this book
for BantamDell.
McCarthy on the Writing Process:
I guess my “writing process” is a holdover from when my two sons
were young and my writing time was bookended by school drop offs and
pickups. I was then, and still am, a morning person, which by default
makes me a morning writer. These days, I brew strong coffee and
attempt, by the end of the first cup, to have conquered the daily
Sudoku in The LA Times. I carry my second cup to my desk and
check emails, answering only those that can’t wait till the
afternoon. Then I write, sometimes well, sometimes not, for three to
four hours every day. What’s important—I know this from years of
experiment and experience—is keeping my butt in the chair and my
fingers moving on the keyboard till the good stuff shows up. Early or
late, it eventually shows up. I break for lunch, always, and then
edit afterward in the afternoon. I should probably cop to the fact
that my morning process often begins the night before when, head on
my pillow, I send a message to my subconscious about what I hope and
need to accomplish writing-wise the next day, and I ask for any
assistance available. More often than not, the answer is there when I
wake up. I’m not always writing historical fiction, by the way. I
also do a fair amount of commercial freelance writing, too. Gotta pay
the bills between pub dates, you know? Alas.
About the Author:
Susan
Carol McCarthy is
the award-winning author of three novels, Lay
That Trumpet in Our Hands, True
Fires, and A
Place We Knew Well, and
the nonfiction Boomers
101: The Definitive Collection.
Her debut novel received the Chautauqua South Fiction Prize and has
been widely selected by libraries and universities for their One
Book, One Community and Freshman Year Read programs. A native
Floridian, she lives in Carlsbad, California.
Sunday, August 30, 2015
Aftereffects of Hurricane Katrina: Aftermath Lounge
Blurb:
AFTERMATH LOUNGE is a compelling tribute to the Gulf Coast in the wake of Hurricane Katrina. Resurrecting the place and its people alongside their heartaches and triumphs, Margaret McMullan creates a riveting mosaic that feeds our wish to understand what it means to be alive in this day and age.
Review:
The devastation and
heartbreak caused by Hurricane Katrina are in the past, but the
people affected by the tragic events are still living with the
aftermath. The Zimmer's house was gutted by the storm. They were
forced to move in with their daughter and her son, Teddy, in Chicago.
The hurricane changed their lives, but being forced to live together
changed them even more.
The Zimmers are only
one of the families whose stories are told in this collection of
short stories. However, their's is the thread that holds the
collection together. It's a story of bravery, and growing, and giving
in. I thoroughly enjoyed meeting this family.
The collection of
stories captures the triumphs and tragedies that resulted from this
terrible event. The author does an excellent job of making the people
come alive. Although I'm not familiar with the Gulf Coast. I felt
that I came to know the area and the people.
I usually prefer
novels to short stories, but the combination of short stories with a
continuing set of characters made the book very satisfying. I think
the vignettes showing how lives were affected at various positions on
the socio-economic spectrum was a very effective way to bring the
story of what happened to people after Katrina to life.
I highly recommend
this book. If you're a survivor of the hurricane, it's a must read.
If you love well done glimpses of people's lives, you'll enjoy this
book.
I reviewed this book
for PR by the Book.
Author Q & A:
1.Aftermath
Lounge honors the 10th
anniversary of Hurricane Katrina. Can you tell us about your
experience during those days when the storm hit?
Shortly
after the storm hit, my husband and I drove down from Evansville,
Indiana to Pass Christian, Mississippi. We saw aerial footage of the
town and we could see that the roof on my parents’ house was mostly
intact – that’s all we could see. We brought water and a lot of
supplies to donate. There was a gas shortage then, and limited cell
phone coverage. The closer we came to the town, the more it became
like a war zone. The National Guard was there to keep people away,
but we got through, thanks to a relative.
The
night before we left, my mother told us to forget about everything
else -- all she really wanted was the painting of her mother, which
had been smuggled out of Vienna during WWII. We
had house keys but there were no doors. When we got there, the house
was gutted – the storm surge had essentially ripped through the
house.
We
put on rubber gloves and spent the day sifting through the debris,
dragging out any salvageable pieces of furniture. The water had
shoved through the closed shutters, plowed up under the foundation
and tore open the back walls, bashing around the furniture, sinks,
toilets, stoves, washers, driers.
We
never did find the painting.
Elizabeth
Bishop wrote a wonderful villanelle called “One Art.” She wrote
about losing small items like keys and an hour badly spent, then she
progresses to the greater losses -- her mother’s watch, a house,
cities, rivers, a continent, and finally, a loved one. “The art of
losing isn’t hard to master,” she starts. “So many things seem
filled with the intent to be lost that their loss is no disaster.”
I thought of that poem a lot.
2.Your
family played a key role, helping Pass Christian rebuild. What were a
few moments that influenced you during that time?
We
saw so many people from all walks of life and they were suddenly
homeless. My father organized financial donations. There were no fire
trucks left after the storm, so he made sure Pass Christian got a
fire truck. We were always big supporters of the library too. The
Pass Christian Policemen had stayed during the storm to make sure
everyone was safe. They had tried to stay safe in the library, but
then when the water rose, they had to shoot out the windows to swim
away to safety. I used that information in the title story of
Aftermath Lounge. These men were real heroes.
3.Did
you know from the moment the storm hit that someday you would write a
novel about it? Or did a later experience give you the idea? If so,
what was it?
At
first I just witnessed. I think that’s what writers do mostly. We
witness. Then the material lets us know what it wants to become. I
just took notes. Later stories started taking shape and they were all
in different voices. It was the only way I could work at this
material.
4.Part
of your inspiration for the novel came from your family's beautiful
mansion. How did your own experiences in that house shape each of the
stories you wrote?
Well,
it’s hardly a mansion, but I was surprised to discover just how
much a house could mean. Everyone always says it’s
just stuff, but there were so
many collective memories there. When we stood and looked at
everything so undone,
it felt like our times spent there were gone too.
Katrina
had such a huge impact on the coast, on my family, and on me. I am
always telling my students to write what they most care about, to
write what keeps them up at night. I had
to write about Katrina. I had written about the Civil War,
Reconstruction and WWII, so I saw Katrina as an historical event. I
treated the hurricane more as setting. It’s in the background. The
human drama is in the forefront. I’m always interested in what
people do or don't do in the face of real catastrophe. I didn’t
want to write from one point of view either. I wanted to give voice
to a variety of people because Katrina affected everyone.
5.What
was your writing process like for this novel? Did you know from the
start it would be a novel in stories? Or did that become apparent
only after you began writing?
There
were so many news stories coming out at the time. I write nonfiction,
but I couldn’t get my thoughts together. I couldn’t make sense of
anything. Out of habit, I took a lot of notes. I could only deal with
writing about all that was happening a little bit at a time. And my
own personal story just wasn’t that interesting.
I
personally witnessed and experienced the best in human nature. People
and communities came together and helped one another in the most
meaningful way. They endured with a great deal of kindness and grace.
So I chipped away at the
material. I wanted to tell a community’s story.
About the Author:
Margaret McMullan is the author of seven award-winning novels including In My Mother's House, Aftermath Lounge, Sources of Light, When I Crossed No-Bob, and How I Found the Strong. She also edited the popular anthology Every Father's Daughter. Margaret writes for both adults and young adults, and she is especially interested in how historical events affect ordinary people. Her work has appeared in the The Huffington Post, the Chicago Tribune, Glamour, The Millions, Southern Accents, TriQuarterly, Michigan Quarterly Review, The Greensboro Review, Mississippi Magazine, Other Voices, Boulevard, Ploughshares, Teachers & Writers Magazine, and The Sun among others.
Media Contact: Stephanie Ridge, stephanie@prbythebook.com
Thursday, August 27, 2015
MeetTracy Lawson and her Dystopian Novels
Review:
In Book 1 of the
Resistance Trilogy, Tommy and Careen, college students, meet when a
drug to help protect the population from terrorism is passed out. The
drug is not what it seems and Tommy and Careen band together to fight
the web of lies that is causing the population to become unable to do
anything but what the government decrees.
In Book 2, Resist,
Tommy and Careen are on the run. They've joined the resistance. Their
goal is to rescue a group of dissenters that includes Tommy's
parents. As they pursue this goal, they meet other people who think
as they do and some who are deceptive. Their relationship is tested
when they find they can't agree about everything, but they continue
to work through their issues and help the other freedom fighters.
This is a fast paced
dystopian thriller. The action begins in the first chapter and
continues at a relentless pace throughout the book. Although Tommy
and Careen are the main characters, other characters, including those
behind the evil, have chapters written in their point of view. This
provides a vehicle for giving information about what is happening in
the enemy camp, things Tommy and Careen can't know.
I enjoyed the book.
The characters are likable and the plot has numerous twists. If you
enjoy dystopian novels, you may find this trilogy appealing.
I reviewed this book
for PR by the Book.
Author Q&A:
What
was the inspiration behind The Resistance Series?
I
was mentoring a friend of my daughter’s when the initial idea for
Counteract
came about. Chase is a pretty sharp guy and an excellent writer—and
when he was in high school I had a lot of fun working with him and
editing some of his short stories. We had finished working on a story
about baseball, a broken nose, and a broken heart, and were ready to
start something new, when he suggested we write scenes in response to
the prompt: “What if everyone were on LSD and all thoughts were
communal?” It was certainly thought provoking! Chase created the
characters Tommy and Eduardo, I created Careen, and right away, we
knew we were onto something. Obviously, the story morphed and changed
a lot before it became the finished version of Counteract—but
that was how it all began.
Did
you always plan to write another book in the series?
I
let my husband read the first draft of Counteract
when I was about a
third of the way through the original outline. He was enthusiastic
and supportive and suggested developing a story line that could be
carried forward if I chose to make Counteract
the first in a
series.
I
liked the idea of doing more than one book about Tommy and Careen,
and as I wrote the rest of the first draft, I pinpointed elements of
the story I’d need to develop and expand to pave the way for a
series.
How do the characters of Tommy
and Careen develop in Resist?
Tommy and Careen are law-abiding
citizens until they accidentally discover that the Office of Civilian
Safety and Defense lied about the terrorist attack and why it
mandated the use of the Counteractive System of Defense drug. They go
from being accepting and compliant to impulsively joining a rebel
group that’s working to overthrow the oppressive government agency,
without having a chance to think about what they’re doing and why.
They’ve only known each other
for a week, and their relationship has progressed far too
quickly—they became a team, then a couple, without really getting
to know each other, and soon they realize they don’t have much in
common.
Tommy’s all for the physical
aspects of revolution, and is eager to learn about guns and
explosives. Careen finds kindred spirits among the older leaders of
the group, who are committed to sway the public’s allegiance away
from the OCSD by waging a war of information. Her pacifistic approach
clashes with his need to prove himself on the field of battle, and
further complicates their partnership.
Where
we can find your book and more information about you?
My
books are available on Amazon.com in paperback and Kindle, and on
Barnes & Noble’s online store. If you live near Columbus, Ohio,
you can buy signed copies of my books at three independent stores:
The Book Loft of German Village, Mary B’s, and Urban Emporium.
You
can get the behind-the-scenes scoop on all things Resistance Series,
see book trailers, and check out my blog at
http://counteractbook.com.
You can also find me on Twitter @TracySLawson and on Instagram as
TracyLawsonAuthor.
About the Author:
Tracy Lawson is an Award-winning author of two nonfiction books, and The Resistance Series is her first in the world of young adult novels. Tracy lives in Dallas with her husband, daughter and three spoiled cats.
Media Contact: Alessandra Wike, alesandra@prbythe book. com
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